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## Tour
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### Title
tour.name = From the Stem
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About the exhibition
From the Stem is Azim Morakabatchi’s second solo exhibition in Mojdeh Art Gallery. In this exhibition a compilation of the artworks of drawing and painting by Morakabatchi are placed together in a unique arrangement.
HTMLText_48528D92_27B3_596A_41A7_74DCB0EC2044_mobile.html = About the exhibition
From the Stem is Azim Morakabatchi’s second solo exhibition in Mojdeh Art Gallery. In this exhibition a compilation of the artworks of drawing and painting by Morakabatchi are placed together in a unique arrangement.
HTMLText_57B44A28_27DC_BBA6_41A3_517A0E00E0ED.html = Azim Morakabatchi
Azim Morakabatchi is a contemporary painter and illustrator born in 1977 in Ardabil city. He has had 6 solo exhibitions and more than 35 group exhibitions in his career. Morakabatchi studied painting academically at the undergraduate level at the University of Science and Culture and is a permanent member of the Iranian Painters Association.Apart from university studies, continuous study and activity in knowing the characteristics of the painting medium has created a new and personal expression in Morakabatchi’s works. His expression over time shows his transition from representing reality to a vector drawn between reality and abstraction. In such a way that the color, composition and lines of the painting oscillate on the border between reality and abstraction, sleep and wakefulness, madness and rationality. In addition to the expressive form of painting, to express these borderline and sometimes confusing elements, Morakabatchi has also used other forms of expression such as illustration and video, which, like painting, express the complex and borderless world of Morakabatchi. Sometimes he crosses the border between different media, sometimes by knowing the limitations of media and sometimes by knowing the capabilities of each media, he goes towards discovering a new expression and he sometimes connects the media to each other. The most important point is that in his artist books, he creates a deep and continuous link between the verbal media, i.e. language, and the non-verbal media, i.e. illustration, and this issue is also evident and traceable in the statements he wrote during different years for his exhibitions. In such a way that the artist's statement is not as an interpreter and carrier for the perception of the painting, but as an independent medium in the direction of linking verbal and non-verbal language. Azim Meskaranchi is a bilingual artist and therefore benefited from the culture of both Persian and Azeri languages, and this benefit from two languages in his works has led to the richness and clash of two cultures. He entered popular culture by using Azeri folk stories and uses these stories and the literary language of imagination to create textures and roles that are not only representative elements for illustration or painting, but they convert the image to an arena for thought and contemplation in culture and language.
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HTMLText_A161BEDE_8582_ACCB_41D0_1E05AC7F6E52.html = Mojdeh Art Gallery started its activity in 1998 and has based its programs on two axes from the beginning: first, holding exhibitions for pioneer and young artists, and the second axis, in connection with the first axis, is: research and authoring of books and articles in the field of modern and contemporary art of Iran. It should be noted that the exhibitions held in Mojdeh Art Gallery were of various art media such as paintings, photographs, sculptures, installation, etc. and these exhibitions usually included statements and criticism in addition to visual expression. It should be noted that Mojdeh Art Gallery, while continuing its artistic and research activities, has drawn a road map for the future, the main axes of which are: participation in international programs in the field of sale and presentation of artworks, research and publishing books in the field of modern and contemporary arts and finally selecting artists and researchers in various artistic fields and cooperation with these people to achieve the goals of the gallery.
CONTACT:
Tell : +98 21 22067442
+98 21 26654577
WhatsApp & Telegram: +98 912 1504557
Address: Unit 1 -No.27 - East 18th St. - North Allameh Ave. - Saadat Abad - Tehran - Iran
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Azim Morakabatchi
Azim Morakabatchi is a contemporary painter and illustrator born in 1977 in Ardabil city. He has had 6 solo exhibitions and more than 35 group exhibitions in his career. Morakabatchi studied painting academically at the undergraduate level at the University of Science and Culture and is a permanent member of the Iranian Painters Association.Apart from university studies, continuous study and activity in knowing the characteristics of the painting medium has created a new and personal expression in Morakabatchi’s works. His expression over time shows his transition from representing reality to a vector drawn between reality and abstraction. In such a way that the color, composition and lines of the painting oscillate on the border between reality and abstraction, sleep and wakefulness, madness and rationality. In addition to the expressive form of painting, to express these borderline and sometimes confusing elements, Morakabatchi has also used other forms of expression such as illustration and video, which, like painting, express the complex and borderless world of Morakabatchi. Sometimes he crosses the border between different media, sometimes by knowing the limitations of media and sometimes by knowing the capabilities of each media, he goes towards discovering a new expression and he sometimes connects the media to each other. The most important point is that in his artist books, he creates a deep and continuous link between the verbal media, i.e. language, and the non-verbal media, i.e. illustration, and this issue is also evident and traceable in the statements he wrote during different years for his exhibitions. In such a way that the artist's statement is not as an interpreter and carrier for the perception of the painting, but as an independent medium in the direction of linking verbal and non-verbal language. Azim Meskaranchi is a bilingual artist and therefore benefited from the culture of both Persian and Azeri languages, and this benefit from two languages in his works has led to the richness and clash of two cultures. He entered popular culture by using Azeri folk stories and uses these stories and the literary language of imagination to create textures and roles that are not only representative elements for illustration or painting, but they convert the image to an arena for thought and contemplation in culture and language.
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HTMLText_CDFEC25E_FE5B_AD94_41E1_E422DED7F233_mobile.html = Mojdeh Art Gallery started its activity in 1998 and has based its programs on two axes from the beginning: first, holding exhibitions for pioneer and young artists, and the second axis, in connection with the first axis, is: research and authoring of books and articles in the field of modern and contemporary art of Iran. It should be noted that the exhibitions held in Mojdeh Art Gallery were of various art media such as paintings, photographs, sculptures, installation, etc. and these exhibitions usually included statements and criticism in addition to visual expression. It should be noted that Mojdeh Art Gallery, while continuing its artistic and research activities, has drawn a road map for the future, the main axes of which are: participation in international programs in the field of sale and presentation of artworks, research and publishing books in the field of modern and contemporary arts and finally selecting artists and researchers in various artistic fields and cooperation with these people to achieve the goals of the gallery.
CONTACT:
Tell : +98 21 22067442
+98 21 26654577
WhatsApp & Telegram: +98 912 1504557
Address: Unit 1 -No.27 - East 18th St. - North Allameh Ave. - Saadat Abad - Tehran - Iran
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In Azim Morakabatchi’s works, simple, every day and sometimes complicated situations, as well as dreams and nightmares, are transformed into dramatic scenes, and it is through this transformation that his symbols, metaphors and visual allegories are made.
His visual expression in connection with the theater is like a scene from a play that is frozen in the moment, but through the exchange of visual expression and theatrical staging, a kind of movement can be identified and followed, and this movement causes a kind of transformation and movement of time in the painting. In the scale of painting, Azim is like a writer, dramaturge and director who imagines his frames, sets and lights, and creates a mise-en-scène and movement image for each actor, and it is in this way he puts several expressions together in the painting, hence, the painting is not only the arena of the image, but it also becomes an arena for sound, light, movement and play, and this way meaning is created in continuous trading and practice and repetition in the use of cross-media elements.
Mona Mobarakshahi
May 2024
htmlText_E6C46E8C_FE57_43CA_41E5_598E94B2233D.html = در آثار عظیم مرکباتچی موقعیت هایی ساده، روزمره و گاه پیچیده و بغرنج و همینطور رؤیا و کابوس به صحنه هایی دراماتیک بدل شده و از گذر این تبدیل است که نمادها، استعاره ها و تمثیل های تصویری وی ساخته می شوند. بیانِ تصویری او در ارتباط با تئاتر همچون صحنه ای از یک پرده است که در آن لحظه منجمد شده ولی از طریق داد و ستد بیان تصویری و صحنه پردازی تئاترال نوعی حرکت و جنبش قابل شناسایی و پیگیری است و این حرکت موجب نوعی صیرورت و جنبش زمان در نقاشی است. عظیم در مقیاس نقاشی همچون یک نویسنده، دراماتورژ و کارگردان است که قاب هایش را تصویر و تخیل کرده، صحنه پردازی و نورپردازی نموده و برای هر کنشگر تصویر میزانسن و حرکت می سازد و از این طریق چند بیان را در نقاشی کنار هم نشانده و بدین ترتیب نقاشی تنها عرصۀ تصویر نیست، بلکه مبدل به عرصه ای برای صدا، نور، حرکت و بازی می شود و این گونه معنا در داد و ستد مداوم و تمرین و تکرار در استفاده از عناصر بینارسانه ای می شود
مونا مبارکشاهی
اردیبهشت 1403
### Title
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window_B7B89D9D_DE3C_9E13_41EA_06F9ED16BC46.title = از پی
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\
His visual expression in connection with the theater is like a scene from a play that is frozen in the moment, but through the exchange of visual expression and theatrical staging, a kind of movement can be identified and followed, and this movement causes a kind of transformation and movement of time in the painting. In the scale of painting, Azim is like a writer, dramaturge and director who imagines his frames, sets and lights, and creates a mise-en-scène and movement image for each actor, and it is in this way he puts several expressions together in the painting, hence, the painting is not only the arena of the image, but it also becomes an arena for sound, light, movement and play, and this way meaning is created in continuous trading and practice and repetition in the use of cross-media elements.
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